She was training us, in her own way. It was like in Karate Kid. We didn’t know we were being trained, but we were.
Trained for what?
To further Cicero’s plans.
And what were her plans? The furtherance of European philosophy?
Or the parody of European philosophy. Cicero liked to laugh at what she loved, you know that. Some kind of farcical repetition was the only way anything could survive in this degenerate world. Everything in parody. Everything laughable. All of it at a distance from what it was. Nothing just allowed to be itself.
Complications. Cicero liked complications.
She wanted to see the dance of death. Things that were dead, playing at life. Grotesquerie. Capering. She liked chimps. And baboons. And whatever it is that we are. She liked running her zoo.
Theories of decline: Cicero liked those. Toynbee and Evola and all that. Accounts of the winter season. Of the latter days. Kali yuga. New kinds of primitivism and vulgarity. History falling to savages and barbarians.
And she wanted to further barbarism, right? To make things worse?
She wanted to make things more frenetic. Life at the end is feverish life: that’s what she said.
It was never about escaping from the tyranny of this world, for Cicero. She didn’t want to escape, but to go deeper. To fall more. To push things as far as she could.
Forcing the messiah: that’s what she wanted, in the end. To make things so bad, that only a messiah could save us.
And she thought a messiah would appear?
If a messiah was going to appear, it would be then: when the world had allen to its lowest stage of amorphy.
We were Cicero’s pets. Her sea monkeys. Her ant farm.
She was an accelerationist of madness. Wanting only madness, more madness.
She was ahead of everything. Like, riding the disaster.
Was Cicero just a fancy kind of nihilist? What did she actually believe in?
In living against the world.
You can’t be against everything.
She wanted to laugh at it all. To laugh and laugh until … you died of laugher. Dying with indignity: that’s what she used to talk about.
It was nihilism on top of nihilism. Like she wanted to double it up. She wanted to increase the tension. Make living in the world utterly unbearable. Until … God intervenes to just explode it. Until the messiah returned just to destroy everything. God was death, that’s what Cicero said.
Are we alive and playing at being dead, or the other way around?
Remember her watchwords: deepen the farce. That’s what she used to whisper.
Cicero was just one big evil grin.
Cicero, pleasing herself. Cicero, entertaining herself. Cicero, amused at what she had done. At getting one over on the world. At accelerating its fall. At deepening the farce.
She wanted one over on everything. To have gone more farcical than the farce of the world. To have, like, accelerated beyond it, and just stand there, looking back, grinning her evil grin.
Is there such a thing as a salvific farce? As a farce so farcical that … it exposes the whole game? That just … shows the farcicalness of everything? Or maybe … destroys the farce.
Cicero’s glee – her smile. She showed her teeth. Like she was daring the world on. Get worse: that’s what her grin said. Go on, get worse. It was some edgelord thing. Just sheer, arrant, magisterial hopelessness. She wanted to intensify the nihilism. To go madly mad with it. To out madden the madness …
But she wasn’t a nihilist, right?
She was a Gnostic.
So she had faith in something.
Yeah – in the divine nothing, not the nothing of the nihilist. The void that shows the in-vain of everything.
That’s nihilism!
It was a divine void, that’s the point. An interruption. A break, in the logic of the world. A breath. That blew from on high. From some absolute fucking transcendence.
All her stuff about the divine void was her version of hope, right? That things do not have to be as they are. That you can be free of things. That there’s a distance between you and the world.
That divine gnosis was what saved you from the world. And maybe it saves the world, too. It saves the world from being just the world. It means there’s something from somewhere else. That you can receive from elsewhere.
It’s all about how we live it: the divine nothing. It’s about living against. Living the distance from the world. Because it’s what shows the world as a farce. As a tautology. As the same, returning on itself, endlessly. It shows the farcicalness of all things.
The divine void is … freedom, in a way. The freedom not to have to go along with it. To laugh in the face of it. Because it can make you laugh. Because it can make you just … cry out into the sky. FUCK IT ALL!
So it’s a religion. It’s a … negative theology?
Maybe it is. A religion of the opposite direction. The source of all religions.