Look, Cicero wanted to sabotage philosophy at the uni. She actually had an education. She actually knew things. They made her head of department. They actually gave philosophy a future. So she brought to her people who had none of these things. Just to let them fuck it up.
And the final move: was the organisational management move. The organisational management completion. Which Cicero foresaw in some way. Which she wanted.
It was the completion of the farce. The consummation of the nonsense. Which she unleashed in the first place! Which she set in motion!
Cicero, as destroyer. Cicero, as murderer. Cicero, as strangler. Cicero as impresario of disaster.
Maybe this is only the elaborate form of her suicide. This is the playing out of her, like, autodestruction.
The whole thing was staged, I reckon. She saw it all. She knew what was coming. It’s playing out just as she knew it would.
She knew the deepest truth. What philosophy is in this world. The only thing philosophy can be in this world. A farce – a total farce.
This is what she wanted. This was the long plan. This was her strategic plan.
The complete humiliation – of philosophy. By agreeing to its move to organisational management. The complete destruction – of philosophy.
Was it supposed to be some kind of dialectics? By bringing the worst, did she hope to bring the best?
Cicero as puppetmaster. Cicero as ringleader. Forget her helpless looks. Forget her alleged despair. The organisational management move is what she wanted.
And she’s made you – you – her successor. She’s made you head of department. That’s what’s really done it.
She can be so interested in you, so interested. She can turn to you, look at you, and make you feel like you’re the only person in the world. That she and she alone understands you. That she’s intuited just exactly who you are.
And then … she’ll turn away.
She tears strips from you. Leaves you raw.
She opens wounds that only she can heal.
She’ll appear to see right into you – your heart. She notices you. You get her unwavering attention.
She’ll seduce you – if you’re young and pretty. She’ll make you do things. It’s like hypnotism. And yet she sometimes give the sense of being so helpless. Needy even – and that only you can help her. How does she do that?
There’s something diabolical about her. Scheming. Devilish. Mephisotlean.
She’ll betray you. Sell you out. There’s a dreadful exhibitionism when she’s at her worst. A grandeur. A theatricality. But that was before her breakdown.
What breakdown? That’s just part of the theatre.
Wow. Wheels within wheels, right?
She’s retired, basically.
Why – she not very old.
I heard it was because she seduced some student. I heard it was because she made one kill herself.
She’s a powerful woman. A monster. Or she can be. But she can great charm. Of course she can. She’s all these things.
The move to organisation management is part of the end times. Part of the final humiliation.
It’s a kind of apostasy. Cicero signed us up for this. Why? Why? It’s a sublime act. Shrouded in mystery. It follows an apocalyptic logic. Understand this, and you’ll understand everything.
But I still want to believe in Cicero. Of course we do. Haven’t we looked up to her, all along?
She brought us here. She gathered us together. But why – just to wreck us? Just to destroy us? So perverse …
She knew what she was doing. It was deliberate destruction.
It’s our role to decode what’s happened. To unravel it. How are we going to do that?
We have to understand the logic. She’s set us a puzzle. Solve this, and we solve everything. We’ll understand our place in all things. Our role in it all. What we can do. How we can carry things forward …
We see it now. It’s clear to us. Cicero wanted to found a philosophical dept for the end of times. When philosophy could only appear in parody, as an inversion of what it was. So she brought us in – we idiots.
And we’re glad we know. Now it makes sense. Cicero wasn’t fooled by our mediocrity – not for a moment. By our triviality. By the pettiness of our concerns.
No one should have recruited us – of course not. No one should have brought us here – that’s obvious. Our role is to be laughable. To play our role in the parody. A farcical role.
We have a role. A farcical role, it’s true – but a role. A farcical role in a farcical time. And we’re perfect for it.
Cicero cast us – us. And who else could she have cast but us? We’re here to do parody philosophy. To busy ourselves with philosophy as farce. In organisational management – where else?
And Cicero has had to remove herself. She had to take extended leave or retire or whatever. In order to put us centre stage. And let you, X, become the new head of department. A parody head. A headless head. It’s beautiful. What could be more beautiful?
She set nihilism to work. Brilliant! A brilliant woman! It’s like performance art, or something.
And who are we, but puppets? Happy puppets – happy to have a job, any job. Glad to work somewhere, at least.
Our idiocy’s the point – we know that. Our mediocrity. We were never supposed to be anything other than idiotic. That’s what we’re here for. We have a role. And shouldn’t we be happy with that?
How to read Cicero’s silence? How to interpret it?
And yet the sense that her silence is the most important thing of all. That everything is to be read there. If we were to focus on it, concentrate on it, then all the secrets would be revealed. We’d understand who we were. That’s it, isn’t it?
Cicero knows who we are. What we’re for. Cicero understands our role, this close to the end. And now so do we.
Our apocalyptic role. Our apocalyptic community. But an apocalyptic of parody (a parody of apocalyptic?)
Part of the End will be a parade of nonsense. Of deformities and mutations. Not physical, but mental. There’ll be sports. Twistings. Human contortionists. Like in that Hieronymous Bosch painting. Like some carnival of the end.
Cicero knew. More – Cicero made it happen. It was Cicero’s idea. That’s the terrible secret. And the wonderful secret. Now we Understand. Now we See. We know what our role’s supposed to be.
The Secret is revealed – and what a Secret.
Cicero’s a show-woman. An impresario. She was the orchestrator, all along.
It’s a brilliant Entertainment, but for who? For God, maybe.
The whole thing, like some a court masque. The whole university was her stage. And no one understood but her. And now us …
And now she’s lapsed into catatonia. And alcoholism. Is that part of it, too? Did she anticipate that, in her strategic plan?
Is she merely pretending to have become alcoholic? Is it a deliberate ruse?
What’s she doing? Who’s she hiding from? Hasn’t X long suspect that she was some kind of MI5 agent. That she was some kind of spook?
It’s like in The Spy who Came in From the Cold. It’s deliberate. It’s a strategy. She’s just pretending to have gone awry. To have become alcoholic. It’s a ruse. It’s a disguise.
She’s not actually drunk. She’s actually sober. She’s gone beyond drunkenness. Into some strange new state. It’s a kind of sobriety – but a divine sobriety.
Hasn’t Cicero always presented herself a philosophical heretic? As a phenomenological heretic. As a critical theoretical heretic. As a poststructural heretic. Even as Gnostic – although, as she concedes, Gnosticism never actually existed.
Is this Cicero’s idea of a joke? A perfect joke. A total inversion. The punchline: you’ve become head of philosophy at a Russell Group university. You’re in charge.